Las óleos de todo Wilhelm Leibl


ID Image  Painting (From A to Z)       Details 
90772  
Wilhelm Leibl, Das ungleiche Paar
 
 Das ungleiche Paar   1876-1877 Medium oil on canvas Dimensions Deutsch: 75,5 x 61,5 cm cjr
90671  
Wilhelm Leibl, Die alte Pariserin
 
 Die alte Pariserin   1869-1870 Medium oil on panel Dimensions 81,5 x 64,5 cm cjr
87353  
Wilhelm Leibl, Die Dorfpolitiker
 
 Die Dorfpolitiker   Date 1877(1877) Medium Oil on canvas mounted on wood Dimensions 76 x 97 cm cjr
92163  
Wilhelm Leibl, Die Dorfpolitiker
 
 Die Dorfpolitiker   1877(1877) Medium oil on canvas mounted on wood Dimensions 76 X 97 cm cyf
88631  
Wilhelm Leibl, Die junge Pariserin
 
 Die junge Pariserin   1869(1869) Medium Oil on wood Dimensions Deutsch: 64,5 x 52,5 cm cjr
56294  
Wilhelm Leibl, head of a peasant girl
 
 head of a peasant girl   mk247 c.1880,oil on wood,12x11 in,30x27.5 cm,osterreichische galerie belvedere,vienna,austria
88918  
Wilhelm Leibl, Konzertstudie
 
 Konzertstudie   c. 1870 Medium Oil on wood Dimensions Deutsch: 44 x 40 cm cjr
94059  
Wilhelm Leibl, Leibl und Sperl auf der Huhnerjagd
 
 Leibl und Sperl auf der Huhnerjagd   Date 1890-1895 Medium oil on canvas Dimensions Deutsch: 40 x 58 cm TTD
88151  
Wilhelm Leibl, Madchen am Herd
 
 Madchen am Herd   1895(1895) Medium Oil on wood Dimensions 41 x 32 cm cjr
38653  
Wilhelm Leibl, Portrait of Burgermeister Klein
 
 Portrait of Burgermeister Klein   mk138 1874 Oil on canvas 87x67cn
94058  
Wilhelm Leibl, Portrait of Carl Schuch
 
 Portrait of Carl Schuch   Date 1876(1876) Medium oil on canvas Dimensions 58.6 x 50.5 cm (23.1 x 19.9 in) TTD
90415  
Wilhelm Leibl, Portrat des Johann Heinrich Pallenberg
 
 Portrat des Johann Heinrich Pallenberg   1871(1871) Medium oil on canvas Dimensions Deutsch: 118 x 95,5 cm cyf
91786  
Wilhelm Leibl, Portrat eines Mannes
 
 Portrat eines Mannes   c. 1890 Medium oil on canvas Dimensions Deutsch: 16 X 16 cm cjr
93248  
Wilhelm Leibl, Schlafender Savoyardenknabe
 
 Schlafender Savoyardenknabe   1869(1869) Medium oil on canvas Dimensions 44 x 64 cm cjr
38655  
Wilhelm Leibl, The Poachers
 
 The Poachers   mk138 c.1882/86 Oil on canvas Stretched over wood 55x42cm
23209  
Wilhelm Leibl, The Veterinarian Dr Reindl in the Arbor (nn02)
 
 The Veterinarian Dr Reindl in the Arbor (nn02)   c 1890 oil on wood,10 1/8 x 7 3/4'' Stadtische Galerie im Lenbachhaus,Munich
40781  
Wilhelm Leibl, The Women in Church
 
 The Women in Church   mk156 1882 Oil on panel 113x77cm
34021  
Wilhelm Leibl, Three Women in Church
 
 Three Women in Church   mk87 1881 Oil on panel 113x77cm Hamburg,Hamburger Kunsthalle
38654  
Wilhelm Leibl, Woman from Dachau with Child
 
 Woman from Dachau with Child   mk138 1873/74 Oil on wood 86x68cm

Wilhelm Leibl
German Realist Painter, 1844-1900 German painter, draughtsman and etcher. In 1861 he abandoned his apprenticeship as a locksmith in order to train as a precision instrument maker, though a month or so later he decided to train as an artist, at first under the Cologne history painter and writer Hermann Becker (1817-85). In 1863 he moved to Munich; he studied there from March 1864, at the Akademie der Bildenden K?nste, initially under Philipp von Foltz and Alexander Straehuber, drawing from plaster casts, and later in Hermann Ansch?tz's painting class. Here, Arthur von Ramberg (1819-75) stimulated Leibl's sensitivity to colour; and Karl Theodor von Piloty encouraged him to observe reality and incorporate its lessons boldly into compositions on historical themes. From the start, however, Leibl tended to think of his pictures in terms of form rather than content. While at the Akademie he first reached a standard of excellence with his draughtmanship, which is notable for its directness and objectivity. As an artist, Leibl's early works were not especially promising. However, as occurred throughout his career, a long period of mediocrity was crowned by an unexpected masterpiece, such as his portrait drawing of Aunt Josepha (c. 1864; Cologne, Wallraf-Richartz-Mus.). This is particularly striking for Leibl's use of the hands to add to the expression of the sitter's character and mood, a device he was to use frequently in later work. In Munich, Leibl supplemented the teaching of the Akademie by studying the works of the Old Masters in the Alte Pinakothek: he paid particular attention to painters of the Baroque period such as van Dyck, Cornelis de Vos and Rubens, and also to other great masters of portraiture such as Frans Hals and Vel?zquez. The presentation of the subject found in such works is reflected in Leibl's portrait of Frau Gedon (1869; Munich, Neue Pin.). When the work was shown at the Grossen Internationale Kunstausstellung in Munich in 1869 it was singled out as the best oil painting of the exhibition by Gustave Courbet and, as a result, Leibl was honoured with an invitation to Paris, where he arrived on 13 November 1869.



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